1. Fog hides distractions. Third picture, misty day is like you've slung a big sheet from a couple of helicopters; background gone, eye focuses on the tree. 2. Try black and white I've turned both images to monochrome, you can see that the colour complicates the image too much. 3. Use roads as leading lines Oh, and the road running from either sides, makes visual use of the interesting thirds, and takes the eye straight towards the subject.

We had arrived at Far del Cap Salines moments after the sun had set, thinking we'd missed the show, but then the sky caught fire - it got better than this, but my i-phone died through lack of battery. --aaaghh.

With the person in the water, the eye lands first on the area of the fishermans huts and the rib, then immediately responds to the contrast of the figure in the water - so it's a bit like a visual see-saw - with image four providing a double see-saw with one fulcrum being, like the other two, the mid-point between the fishing huts and the bather, There is another line sort of running vertically between the woman and the rib.