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Notice details of trees, moss on logs, or rocks, the way a wave surges back leaving a mist in the air. The light that shines through a hole in the cloud in the distance. Instead of concentrating only on the subject, notice the space between you and it. Notice how distance changes things. Contrast softens. Colours fade. Shapes simplify - either blending, or becoming more defined.

The overall conclusion I'd like you to take with you is that there is very rarely a day devoid of photographic opportunity - you just need to stop and settle, and maybe imagine your'e a modern-day Monet, looking for the light to guide you.

Out for a few minutes walk before meeting Favourite Middle Daughter for a before work coffee from Roc and Floss at the market. I was able to capture a short video demonstrating how to use existing objects to cut the lens flare that occurs from bright light entering the lens at the wrong angle - this is usually sunlight, but can also be streetlights etc.

There's something hugely healing about walking through woodland, slowly, maybe with a camera in your grimy mitt. Your slower than normal pace allows you to notice the way light falls across a path, or is excluded by a tree blocking the light to form a shadow.